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The Buckinghams : ウィキペディア英語版
The Buckinghams

The Buckinghams are an American Sunshine pop band from Chicago, Illinois, United States. They formed in 1966, and went on to become one of the top selling acts of 1967. The band dissolved in 1970, but re-formed in 1980 and they continue to tour throughout the United States.
==History==
In 1965 guitarists Carl Giammarese and Nick Fortuna, along with bassist Curtis Bachman, were invited to join a band called the Centuries. Giammarese and Bachman, plus keyboardist Dennis Miccolis, later became members of another band, the Pulsations, whose members included drummer John Poulos and vocalists George LeGros and Dennis Tufano. After winning a local battle of the bands competition in late 1965, the Pulsations secured a job as the house band on WGN-TV's variety show called ''All-Time Hits''. The show's producers suggested they adopt a name reflective of the British invasion, which was popular at the time, and the band adopted the name ''The Buckinghams'', which was suggested by a security guard named John Opager at the station. The band liked the name because of its similarity to a hometown landmark Buckingham Fountain〔(【引用サイトリンク】url=http://www.thebuckinghams.com )
In early 1966, LeGros was forced to leave after he was drafted. Right around the same time, bassist Bachman also left and Nick Fortuna (now playing bass and soon briefly going under the surname of Fortune, after it was misspelled on the record jacket) returned after a stint with Jimmy V. & the Entertainers. The band then signed their first record contract with local label USA Records and recorded twelve songs that year. Several were released as singles, including "I'll Go Crazy", a song originally recorded by James Brown & the Famous Flames and the Beatles' "I Call Your Name". However, it was their number one single, "Kind of a Drag", that provided them with national exposure. "Kind of a Drag" was written by Chicago-based songwriter Jim Holvay, who had been performing with a group called the Mob, and spent two weeks at the top of the ''Billboard'' Hot 100 in February 1967. It sold over one million copies, and was awarded a gold disc. The co-producers of "Kind of a Drag" were the band's first personal manager, Carl Bonafede, and big band leader Dan Belloc, owner of the Holiday Ballroom in Chicago. The horns on the song were arranged by Frank Tesinsky and the engineer at the first recording sessions held at Chess Records in Chicago was Ron Malo. Following this, the band's debut album, also entitled ''Kind of a Drag'', was released on USA Records and featured the band's early recordings.〔Nite, Norm N. (1978). Rock On: The Illustrated Encyclopedia of Rock N' Roll, volume II. New York: Thomas Y. Crowell, p. 58, Norm N. Nite's Illustrated Encyclopedia of Rock N' Roll.〕
In late 1966, keyboardist Miccolis was replaced by Larry Nestor, who only stayed in the band a short time and was in turn replaced by Marty Grebb in early 1967. Around this time the band members were introduced to James William Guercio, formerly the bassist and road manager for Chad & Jeremy, who then signed them to a management contract with Ebbins-Guercio Associates. The Buckinghams were courted by several record labels before deciding on promotion specialist Jim Scully, who quickly got them a new contract with Columbia (CBS) Records.〔The Buckinghams' official MySpace Page, www.myspace.com/TheBuckinghams〕 Guercio, who became the group's producer, continued the group's "brass-rock" approach, and the band produced four more Top-20 hits in 1967: "Don't You Care" (#6), "Mercy, Mercy, Mercy" (#5), "Hey Baby (They're Playing Our Song)" (#12) and "Susan" (#11), (three of which were written by Jim Holvay and Gary Beisbier). The same year, The Buckinghams were named by ''Billboard'' magazine as "The Most Listened to Band in America."〔Editor interview with Carl Giammarese, March, 2008, Carl Giammarese Wikipedia page〕 Severe differences occurred between the Buckinghams and their producer. The group opposed the producer's decision to add a psychedelic section to the song "Susan". It included a short portion of Charles Ives' "Central Park in the Dark" and sounded very similar to the Beatles' song "A Day in the Life", with an orchestral crescendo.〔Kevin Courrier, "Dangerous Kitchen: The Subversive World of Zappa", ''ECW Press'', Jun 1, 2002. p. 75〕 Many radio stations omitted this section.〔(Hey Baby, They’re Playing Our Song: A Conversation with Carl Giammarese ), ''Confessions of a Pop Culture Addict''. Accessed September 22, 2015〕 The producer had the last word, and the Buckinghams could do nothing about the treatment of the song. The group currently does not include the psychedelic portion in their performances.
By mid-1968, the Buckinghams had parted company with Guercio and Columbia Records assigned staff producer Jim Wisner to work with the group on their third album, ''In One Ear and Gone Tomorrow''. The album featured material written by Grebb, Giammarese and Tufano. Despite the release of a new single, ''Back in Love Again'', they were unable to duplicate their 1967 success without Guercio, who went on to explore the "brass rock" concept further with Blood, Sweat & Tears and Chicago. Also, a "BUCKINGHAMS" DAY", in Chicago, was cancelled when it was learned that some of the band members were arrested for possession of illegal drugs. By late 1968, Marty Grebb and Nick Fortuna had left and were replaced by keyboardist John Turner and original bassist Curtis Bachman, who had gone on to join the band Saturday's Child after leaving The Buckinghams. There were no more hits, though, and band dissolved in early 1970.〔Classic Rock Connection web page for The Buckinghams, www.classicwebs.com/bucknham.htm〕 A compilation record of their old material was released in 1975 by Columbia called "Made in Chicago".〔
After the break-up, Tufano and Giammarese formed the duo Tufano & Giammarese and recorded three albums for Lou Adler's record label, Ode Records, forming a touring band in time for their second album. Drummer John Poulos, who had secured the Ode Records recording contract for the duo, became a manager of several rock bands, including The Boyzz from Illinoizz. Poulos died of drug-related heart failure on March 26, 1980.

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